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续约申请与草有仇读书笔记5个

作者:高考题库网
来源:https://www.bjmy2z.cn/gaokao
2020-12-21 08:20
tags:斩草除根

新疆福彩35选7-刘燕华

2020年12月21日发(作者:费致德)
与草有仇读书笔记5个


【篇一:与草有仇读后感姜艾玲】

与草有仇读后感

毛云尔老师有一颗最柔软的童心,也惟有用如此柔软的心灵,才 能
写出来自孩子内心深处的心灵呓语。

读着毛云尔老师的散文,书里的一幕幕与童 年的回忆重叠,原来我
已走过了那么多年,那些沉睡在心底的回忆仿佛被时光一下子拉了
回来。 在孩子的世界中,大自然充满了奇异的乐趣。为什么春天的
草一夜之间染绿了山坡,却又要在另一个季节 彻底荒芜。孩子们从
大自然一草一木的萌芽和凋零明白了生命的意义和归宿。

在乡 间的绿草地上,享受着阳光的普照,听着风悉悉地与茅草喃喃
细语,看着云优哉游哉地飘,不时还有牧童 悠扬的短笛,孩子们爱
大自然给予的一切。可是大人们说了,看似柔弱地野草,有着惊人
的生命 力,它们会汲取庄稼的营养,必须斩草除根。连爱都来不及
的一切,现在却要狠心的铲除。孩子的世界简 单纯净,这世界一切
美好的东西都会吸引他们的眼光,更何况这片心旷神怡的草地。毛
云尔老师 帮孩子们保存了当年的心境,使我们能在岁月的打磨中,
还能保留内心深处最柔软的角落。

原本心旷神怡,属于蒲公英,艾蒿绿草的土地,却种上了南瓜、豆
子。草之所以和我们有仇, 实际上是为了争夺赖以生存的土地。大
人们为了利益,让土地失去了草地,河流、森林,原来美丽富饶的
家园现在却变更贫脊。草是我们家园

的守护者,不是我们与草有仇,而是我们和自己 有仇,我们要学会
与草和平相处,这样我们才能守护住我们美丽的家园。

帕斯卡尔 说:“人是能够思想的芦苇”。人的生命虽像芦苇一样脆弱,
可是思想却可以使我们强大。作为会思考的 人类,我们应该明白到
底是谁与我们有仇?醒悟吧人类!与草有仇的正是我们自己!

【篇二:读书笔记5】


wuhan institute of technology

读 书 笔 记

书 目 名 称the great gatsby 起 止 页 码 001-194

姓 名 邓林 班 级2014级英语2班学 号 1410010406 指 导 教 师
陈珩 所 在 学 院外语学院

2015年5月

analysis of the personality of the major characters in the great
gatsby abstract : the great gatsby is the finest novel written by
the famous american writer, fitzgerald. the novel mirrors the
decline of the american dream and deeply reveals the essence
of it. in the great gatsby, fitzgerald selects skillfully different
people such as jay gatsby, and daisy buchanan to represent
their different statuses in society and eventually to reflect the
contradictions of the american world by their lives. this essay
will focus on the discussion of the two major characters,
discussing their fate by comparison and talking about the
internal conflict of their personality, to have a further
understanding of the corruption of the american society after
the first world war and the cause of their different personality.

keywords: the great gatsby major characters analysis of
personality

1 a brief introduction to the great gatsby

francis scott fitzgerald was considered as one of the most well
known writers in

america at an era that he named ―the jazz age‖. during the
twenty years of his writing, he published about one hundred
short stories and four long novels. the great gatsby is one of
the greatest literary works of this period and one of the
classics in american literature, which reveals the moral
emptiness and hypocrisy under the prosperity of the jazz age.
fitzgerald uses his pen to reveal the life and the ideas of people
after the first world war and introduces one kind of valuable
spirit. the american dream of happiness and individualism has
fallen into the mere pursuit of wealth. fitzgerald presents the
rise and fall of jay gatsby, skillfully choosing a first-person
narrator, nick carraway’s perspective.

2 tragic jay gatsby

jay gatsby, a typical upstart after the first world war, is a
sensitive young man

who idolizes wealth and luxury. he falls in love with daisy,
when he stations at a military camp near her home, but later
she marries another man. his search for the american dream
leads him from poverty to wealth, into the arms of his beloved
and eventually, to his death. he is attracted by daisy’s grace
and charm, but blinds her shortcomings.

to some extent, gatsby is naive and stupid for he never sees
daisy in her true

colors just as he never sees the green light clearly. though he
never stops loving and has taken the house in west egg to be
near her, he never realizes that he can’t come back to the old
warm world. it is easy to find that throughout his courtship of
daisy, gatsby is always in a position of less power and lower
social status. because gatsby has idolized her, daisy will
necessarily not live up to his expectation. the reader may find
out the contradiction in gatsby’s personality after reading the
novel. on one hand, gatsby is innocent and naive in his heart
for he sticks to his goal and dedicates

himself to achieve his destination, but he never realizes that it
is actually ueal. he shows his loyalty to his beloved and dares
no effort to make his dream come into true. however, on the
other hand, he owns money by all means including illegal ones
and he is indifferent to the death of myrtle wilson, the
superficial wife of a garage man called george wilson. just as
the novel mentions, ―he spoke as if daisy’s reaction was the
only thing that mattered.‖ gatsby is nimble and ambitious in
making money, which shows the ―sagacity‖ of modern people,
but towards love he gives us the impression of ―a naive
young man.‖

gatsby is great because of his loyalty to love. for gatsby, daisy
is the soul of his dreams. he believes he can regain daisy.
although he has the wealth that can match with the leisured
class, he does not have their manners. his tragedy lies in his
possession of a naive sense.

therefore, gatsby’s tragedy does not lie in his death, but in the
death of his dream of utopia. it is his lack of reason and
judgment that leads him to death. when introducing the
origination of gatsby’s name, fitzgerald writes: ―the true was
that jay gatsby of west egg, long island, sprang from his
platonic conception of himself. he was a son of god–a phrase
which, if it means anything, means just that and he must be
about his father’s business, the service of a vast, vulgar, and
meretricious beauty‖. this sets the tone of gatsby’s tragic life.
he has not been aware of the different social statuses between
his and tom’s. in general, jay gatsby is one of the best among
characters in the novel. even though he is a bootlegger and all
his money is illegally made he still has more conscience than
many others. gatsby wants people to be happy, and if they are
happy he will be happy, too. he holds luxury parties for people
to attend and enjoy themselves. he also does his best to make
nick feel easy in his garden. gatsby shows a certain amount of
kindness to almost everyone he meets. his parties are open to
anyone who wants to attend no matter what his social class is.
he does his best to be kind to almost everyone. from this
aspect, he is a very decent person indeed.

all in all, gatsby is only a dreamiest in his whole life. his
loyalty to his love and ideal and the contradictions of his
dreams lead to the disillusionment of his american dream. his
death, in a sense, serves as a warning, but it also ennobles
him. 3 vanity and selfish daisy buchanan

as a beautiful and charming girl in the upper class, daisy is
quiet active in all kinds of social activities and she once had
her true love. it is safe to say daisy once really loved gatsby.
but her mother prevents it .to some extent, her mother not only
prevents daisy’s stupid idea but also changes her opinions
about the real meaning of life. after that, daisy becomes a
representative of the upper class. at that time, the most
important thing for a lady was to find a rich husband with
decent status, so

daisy makes good use of her beauty to deal with a lot of young
men. her vanity is completely disclosed when she contacts
with those men. she has bright eyes and a bright passionate
mouth and her best feature seems to be her voice. so she
quickly marries tom just because he is richer.

compared with gatsby, daisy is superficial, shallow, and self-
centered for she sees everything from the perspective of her
own happiness. for fitzgerald, women like daisy represent the
deepest seductive power of the american dream as well as its
greatest dangers. daisy’s lack of responsibility is revealed at
the end of the story. when she drives over myrtle and she
doesnt even stop, which shows what fitzgerald wants to reveal
in the whole book—the rich have no concept of responsibility
in reality. she is a little bit too careless. in fact, her
carelessness leads to the death of myrtle wilson. she proves
her real nature when she chooses tom over gatsby, and allows
gatsby to take the blame for killing myrtle wilson even though
she herself is the murderer. finally, daisy and tom move away
rather than attend gatsby’s funeral, leaving no address. daisy
is indifferent to the death of gatsby. as a matter of fact, she is
the real murderer of myrtle wilson. after the accident, she and
tom conspire together and follows her husband’s suggestion
to let gatsby take the responsibility.

as a representative lady of the upper class at the particular
time, daisy enjoys vanity, selfishness and sophistication that a
young woman often has at her time. it’s her vanity and
selfishness that cause the death of gatsby.

conclusion:

to sum up, the great gatsby is an elegy of the corruption of the
american dream .the novel clearly shows that there is no way
from money to love, from

material to spirit. the author criticizes the american society in
1920s. fitzgerald uses the characters to show the destruction
of morals in society. the characters in this novel, many of them
lose their morals in order to find their ideal place in the society.
to some extent, their different personalities are caused by their
attitudes towards money. it is not only the tragedy of love
between daisy and gatsby but also shows the tragedy of the
american dream

【篇三:读书笔记(5本)】


读书笔记

阅读书目:《罪与罚》、《飞鸟集》、《浮士德》、《呼啸山庄》、
《简爱》

命运之旅

——《罪与罚》读书笔记

如果没有一颗坚强的心,命运便会 尽其所能向你展现它的残酷、冷
漠。你有多犹豫,他便会有多复杂。只因生命不过是一场反抗与追
捕的游戏,其主角分别是灵魂与命运。生命以灵魂屈服于命运而终
结。在简单的头脑中,命运总会施舍 一条狭窄的小径,小径总是伸
向并不遥远的远方;对于一个敏感、聪慧且不甘被愚弄的头脑来说,
命运将化作无法逃逸的迷宫。拉斯科尔尼科夫便不幸长有这样一颗
不甘平庸的脑袋。他敏锐的神经能够 迅速而深切地感受到和他一样
困苦的人民的痛苦,同时也使他逐渐处于忧愁、焦虑的状态。他开
始以审慎的目光聚焦周围的人和事,比如那个放高利贷的老女人。
他显然不相信改善社会制度之路,他认 为这世界就是需要伟人,伟
人配拥有权力,伟人也够资格在破而立的过程中犯罪。在他的视觉
世 界中,她只是邪恶能量的载体,其人体形态却被忽略。他内心深
处的理想抱负绝非自私自利,反倒是博爱 的。但是,为达到理想而
有的手段,却导致一场轰动社会的谋杀案。

当他说“我杀 死的不是她,而是我自己”时,他才清醒地认识到他只
是作为一个自然人存在,而不是超能力英雄,没有 掌控一切的能力。
他杀了人,然而他并没有“跨越”过去,而是仍然留在了这一边。事
实证明, 他不是“拿破仑”,他不属于那些压迫者和统治者,他不是
“超人”。他杀死的不是那个老太婆,而是他 自己。他感到可怕的孤
独,感到自己已经完全脱离了这个社会,不仅不能再对自己的亲人
说出心 里的话,而且永远再也不能对任何人说什么了。“他好像是用
剪刀把他与一切人和一切事物都剪断了。” 然而他无法完全脱离人群。
索尼亚是使他大彻大悟的因素之一,但纯洁的妓女无疑是一个荒谬
的 悖论。如果说,爱人的感化,亲人的温情,好友的开导,刑警的
劝诱是基础,那么罗佳的忏悔才是打开自 赎之门的钥匙。到故事的
最后,事情发生了变换:有一天,他突然感到自己和自己的信念其
实都 是十分虚伪,他逐渐地学会了转换一个角度看问题。当最后他
和索妮娅拥抱在一起哭泣的时候;他知道自 己已经重获了新生。是
什么让他

重获新生的呢?是爱,是信仰。苦难依旧存在,我们 依旧渺小、无
力,但因为有了信仰与爱,我们就变得能够承担苦难了:除了承担
以外,我们还要 爱它。尼采说过“爱命运”。你可以不喜欢它,但你
要爱它。他真正理解了只有正视苦难和挫折,视其为 信仰,才能更
好地品读生活,实现自我突破。

纵观陀思妥耶夫斯基的一生,是善与 恶的交织:不满现实,自大又
自卑;具有圣洁的灵魂,也有污秽的一面;自己负债累累,却仍向
他人伸出无私的援手。其实人性是一个平衡点,神性和兽性则是两
个极端,任何人都具备这三点,只是强 弱不同。在面对苦难时,某
种属性就会被放大,进而影响全局。当苦难成为信仰,人行善的一
面 就会被激发,人亦在感恩中成长,沐浴仁的光辉。生活是一条静
默流淌的河流,蜿蜒曲折,荡气回肠。< br>
苦难是人生经历的一场大火,要么被冶炼成金,要么化为灰烬。

聆听心的声音

——《飞鸟集》读书笔记

有人说,阅读它能知道一切事 物的意义,它是天堂送给大地的诗篇,
爱与美交织的智慧。而我,还未到那个境界,只能细细品味它给我
带来的身心愉悦。

《飞鸟集》中所说的都是平常容易被人遗忘的美好。

“如果你因为错过太阳而哭泣,那么你也会错过群星。群星虽不如太
阳耀眼,但他仍然闪亮, 仍能带来光明。然而有些人却不懂珍惜。
我不能选者最好的,那就让最好的选择我。”我承认,这个世界 没有
完全的公平,因此,我们总会抱怨:“为什么这个世界如此不公?”
可是我想说,虽然这个 世界不公平,也不平等,但我可以有不一样
的辛福,或许,换个角度去思考问题,一切都会变不同。我是 个学
生,没有什么钱,恩格尔系数永远大于60,但是这也告诉我不能挥
霍无度,因此我不会吃 得太多太饱,这样反而有利于我的身体健康,
没有钱,也就不能买太多的衣服,因此我会挑最合适我的一 小部分,
它们整洁常新,成为我的瑰宝;虽不能环游世界,但却可以欣赏周
围美丽的风景;虽没 有轰轰烈烈的爱情,但却拥有了平淡而永远的
友谊。简单、忙碌、充实、快乐选择了我,我又何苦去
劳苦于计较和安排呢?

“夏天的飞鸟,来到我的窗前,唱歌,又飞走了。” 突然想起了我的
童年,那些如期而来,又如期而走的日子,是惆怅的欢愉,寂寞的
天真,我一直 以为童年是无忧无虑的,然而不是,那是有稠密的感
情,也有清澈的思想,也不乏淡淡的忧伤。忧伤在我 的心里沉静下
来,宛如降临寂寞山林的夜色。童年,就从这样长长的人生中消失
了。然而,我的 存在,是一个永恒的精气,这便是人生。

有时,我惊叹世界怎么那样的神奇,人生怎么那样 的微妙,好像总
有一股神奇的力量把千变万化的生活俺怕到我的面前。我像是骑着
飞马,奔走在 道路上,牵着长长的尘尾巴,两旁是望不尽头白杨树。
我为何而奔忙呢?也许伴奏就是我的人生吧!如果 是这样,那我的
尽头在哪里呢?又像是寒冷的冬天的傍晚,我赶着马车在凹凸不平
的道路上,这 漫长的道路令我颠簸不止,这万里的归途,寂静无声,
只剩下马蹄声,还有寒风呼啸而过;又像是独步漫 步在高大的梧桐
林荫道上,怀里揣着一本自己喜爱的小说,独自消磨着独自的心事,
又像是追忆 着那久远的少年往事,又像是为逝水流年静静伤感,那
些被我称为“人生”的感觉总是那样奇妙?

“女人,你在料理家务的时候,你的手脚唱歌着,宛如山间溪流唱歌
着从卵石中流出来。 ”我想,世上大部分的女人都是如此吧。就像我
妈,在家里忙碌的总是她,洗碗、洗衣服、扫地、拖地? 然而,最美
的,最动听的便是她忙碌的声音,吸引着我和她一起劳动。妈妈在
家庭琐事中奉献着 自己的智慧与青春,然而她却不求任何回报,这
便是她的伟大之处吧!

“鸟儿愿为 一朵云,云儿愿为一只鸟。”我想,鸟于云一定是相互深
爱着对方的。他们相爱,所以他们愿意丢弃属于 自己的一切,他们
想转到爱人的轨道上与其长相厮守。要不,相遇半刻也行,总比这
样遥遥相望 来得好,可是,天空有天空下雨的苦衷,你我有你我不
得已的不同。他们之间的距离何止万水千山呢?云 儿泣不成声,变
成了雨水,落在地面上成了碧波连连的潭;鸟儿继续孤独落寞地飞
翔,唱着哀伤 的歌。多情的风,带着它那稠密的感情追随着鸟儿。
鸟飞过,不是没有留下痕迹,而是风把那落寞哀伤的 痕迹收容于心,
这样也许鸟会温暖一些吧。风对鸟说:“别忧伤,我会给你幸福的。”
风骤然改 变了它的躯体,无影无踪而又无处不在。看似温柔而又凌
厉无比。鸟儿被夺走了双翅,最后变成一条鱼,

牺息在 那个静水流深的潭里,鱼水相容,从此长相斯守。如鱼得水
因此成为了绝唱。凄美,但却深刻。

在泰戈尔的诗里,世界是人性化的,自然也是人性化的,万物都有
它自己的生长与思考;而他 只是为它们的人性化整理思想碎片而已。
而这,便也是《飞鸟集》名字的由来;“思想掠过我的心头,仿 佛群
群野鸭飞过天空,我听到了它们振翅高飞的声音。”

清新的诗句,让我学会带 着爱,用一个平淡的心去看待这个纷繁的
世界,去感受被喧闹的城市所掩埋的一份平静与安逸?

追求中毁灭

——《浮士德》读书笔记

歌德笔下的浮士德 是文艺复兴时代一个巨人的形象,他厌恶宗教和
传统加于他身上的束缚,渴求生活,不断进取,为实现人 的价值、
生活的真谛而不停地追求。在浮士德身上有着一种活力,使他日益
高尚和纯洁,这种活 力就是对人的存在的意义进行锲而不舍的探求,
就是在不断克服错误和过失中去追求真理,最后走上正途 。就在对
“最高存在”的意义的探索中,他要把全人类的苦乐集于一身,要在
个人的内心中领略 人类的全部感情。他冲破了知识的牢笼,摆脱了
官能的享受和情的羁绊,走出了“小世界”,而进入了“ 大世界”。在
这个“大世界”中,他曾为帝王服务,曾同古代的美结合,但这给他
留下的是一片 空虚和一场幻景。最后他在为人类造福、征服大自然
的宏伟斗争中,感到了最大的满足,得出了智慧的最 后答案。浮士
德所得出的最后答案无疑是积极的,但有着空想的性质。离开改造
社会单纯地改造 自然,到头来也只能是一个幻想。失明的浮士德把
魔鬼为他挖掘坟墓的场面当作是他的人民与大海搏斗的 壮丽景象,
为这种幻想提供了一个例证。这也正是浮士德悲剧意义之所在。

浮士德一生经历了五个悲剧。

第一:知识的悲剧。他对中世纪的各种知识“全部进行过彻底 的钻
研”,结果绝望的几乎自杀。绝望之余,他诅咒一切,连天恩、信仰、
希望、容忍,总之,

中世纪的一切信条和道德都被否定了。他与魔鬼订约,决心借魔鬼
的力量——也就是 想借助人世间邪恶的力量,不择手段去阅历生活。

第二:爱的悲剧。在“魔女的丹房”里喝 了汤药后,浮士德再返青春。
当封建社会的小农或小市民,与新思潮结合时,结局必然是悲惨的。
浮士德在魔鬼的操纵下,也就是在邪恶意念的驱使下,毁掉了葛瑞
琛。“瓦普几斯夜会”实际是浮士德 濒于堕落边缘的变形反照;但他
时时寻求跳出这种邪恶的立足点。最后他没有在邪恶中毁掉,循入
大自然,去寻求解脱,寻求新的起点。

第三:为统治者服务的悲剧。浮士德进入宫廷是魔 鬼一手导演的,
浮士德在皇宫里,只不过是不带弄臣名号的弄臣,这是可悲的。后
来,皇帝想见 到美人海伦,浮士德见到海伦的阴魂后,激动的在爆
炸事故中昏死过去。终于在霍门库鲁斯带领下,去参 加“古典的瓦普
几斯夜会”,寻找海伦,寻找古典美。从这里可以看到歌德走出魏玛
宫廷,去意 大利寻找艺术新天地的蛛丝马迹。

第四:美的悲剧。浮士德寻得海伦并与之结合后,生子欧 富良。欧
富良摔死后,海伦随之消逝,其衣物托起浮士德飘回北方。浮士德
主动呼唤恶魔,到对 恶魔又鄙视又离不开,到痛恨恶魔,这是他灵
魂逐渐净化,逐渐升高的过程。

第五 :理想的悲剧。这时的浮士德已坚定的确立了主体意识,任何
外力都不可能使他茫然自失。一切前人归之 为命运的盲目力量,在
叩开他的心扉之前,都必须受到理性的审验。浮士德的失明,说明
人类的 发展既是清醒的,又是盲目的。因为带有盲目性,人类就永
远无法避开忧愁的袭击,但是盲目只是潜藏在 清醒的夹缝里。被忧
愁吹瞎双眼后,浮士德没有惊惶失措,更没有从理想的轨道上滑脱
出来。他 是在实现理想的过程中死去的。死后即将被梅非斯托捉住
的灵魂却被天使救走了。他没有被引向堕落。< br>
歌德相信人类终将毁灭,浮士德和梅非托斯打赌时就说,他要“把人
类的哀乐集于一 身,和人类一样也最后消尽”,既然人类终将毁灭,
那么人类的追求尽管一步步都达到了目的,自然也还 是个悲剧。 因
此浮士德是一个永远在追求,永远在探索,永远在完善自我,超出
自我,又永远 在确定自我的典型人物。《浮士德》写的是人性在艰
难的环境中艰难展开的苦难历程。

我特别欣赏书中浮士德所说的一句话:“我要纵身跳进时代的奔波,
我要纵身跳进时代的车轮 ;苦痛、欢乐、失败、成功,我都不问,
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