twice怎么读SAT阅读真题及答案解析(二)

2021年1月19日发(作者：sarah)










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SAT
阅读真题及答案解析（二）

SAT
考试真题是很重要的备考 资料，那么，很早以前的真题资料还有参考性
吗？其实大家可以先以最近真题为主，
以前的真题 资料为辅进行练习。
下面文都
国际小编为大家整理了一篇
SAT
阅读真题及答 案解析，供大家参考。

In
the
wake
of
the
Industrial
Revolution,
when
mass
production
became
the pride and joy of nineteenth-century entrepreneurs, a fast-growing
middle
class
reveled
in
the
luxury
of
consumer
goods,
including
jewelry,
made
available
at
economical
prices.
Prosperous
segments
of
the
population wanted to demonstrate their affluence, a development that
provided a powerful stimulus to the jewelry industry in both Europe and
the United States.
在工业革命苏醒之际，大规模生产变成了十九世纪企业家的骄傲和自豪。
快
速发展的中产阶级让奢侈品变成了大众 消费品。
百姓中富裕的人们想要显示自己
的富裕。而这一因素的存在也快速激励了美国及欧洲的 珠宝行业。

In this avalanche of mass production, many artists and artisans of
the Arts and Crafts movement felt that the human touch, respect for
materials,
and
the
satisfaction
of
a
fine
finish
were
being
lost.
Jewelry,
like other articles, was becoming impersonal, carelessly constructed,
unimaginatively designed. Though labeled romantic and idealistic, some
artists sought to produce individually conceived and executed pieces in
workshop situations similar to those of medieval guilds. They wanted to
produce, handmade jewelry from less-expensive materials for the general
public,
yet
with
the
same
care
and
commitment
a
court
jeweler
might
apply
to work for aristocratic clientele. In medieval times there had been
artisans
in
towns
and
villages,
working
for
ordinary
people
on
a
one-to-one
basis;
the
adherents
of
the
movement
felt
there
was
an
urgency
to return to this special relationship. It was considered particularly
important that artists be involved to ensure the production of more
meaningful objects, whether they be pottery, furniture, or, especially,
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jewelry. The material used in jewelry was prized for its decorative and
symbolic effects, not for its intrinsic value. Rejecting the cluttered
overornamentation of the past, artists influenced by Art Nouveau sought
to
draw
popular
interest
away
from
machine-made
products
by
incorporating
more delicate and fluid natural forms
—
peacock feathers, flower stalks,
vine tendrils, even insect wings.
在这个大规模生产的爆发中，
在这场艺术手工变革的很多艺术家和手工制作
者觉得人们内心的触 动，
对物质的高要求，
和完成品的完美感都全部丢失。
珠宝，
就如同其它的商 品一般，
变得不再是个人化
（而是大众消费化）
变得粗糙的做工，
乏味的涉及 。
尽管有些艺术家依然保留那些浪漫主义情怀和完美主义的心境，
但
是大多数的他们在 工厂所造就的珠宝盒在那些中世纪的商会中所造的珠宝没什
么两样。
（这里强调这时候工厂的艺 术者和中世纪的商会所造的珠宝都不好。
）

他们
（应该指的是那些工作的艺 术家）
想要造出为大众设置的廉价材料的珠
宝，
但是一个皇家的珠宝设计师获取用同样 的关注和承诺在为贵族做珠宝。
在中
世纪时期，
在城市和村庄有很多手工制造者，为基层百姓工作。
那些这种运动的
执着者觉得很有必要回归这种原始的手工对应个人需要的 关系。
觉得非常重要的
是：让艺术者确保产品的意义是很重要的，无论这个产品是瓷器，家具， 还是珠
宝。

珠宝中所运用的材料为一只被赞誉它装饰性和象征性的效果而并不是内在
的价值。
艺术家反对过去风格中的复杂的过于装饰，
他们受新艺术形式的影响追
求优雅的自然形式来吸引大众，让大众原来大规模生存。

1.
According
to
the
passage,
mass-produced
jewelry
and
that
produced
by followers of the Arts and Crafts movement were alike in that both
细节题

(A) could be made quickly oil a large-scale basis
(B) could be custom-designed for a particular individual
(C) were intended to be affordable
(D) were as well crafted as the jewelry of the wealthy
(E) were carefully marketed products
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分析：文章首句讲到
made
available
at
economical
prices
和第二段
They
wanted
to
produce,
handmade
jewelry
from
less-expensive
materials
for
the
general public
都表示想让产品是能让大众消费得起的。

2. For adherents of the Arts and Crafts movement, the guild concept
represented
推理题

(A) a vulgar distortion of artistic principles
(B) a regressive throwback to medieval times
(C) a practical means to realize their ideals
(D) a symbol of the privilege that only royalty could enjoy
(E) an innovative approach to manufacturing luxury items on a wide
scale
分析：此题属于难题。得确定题干中的
adher ents
其实就是原文中的
many
artists and artisans of the Arts and Crafts movement
。
。
。和
some artists
sought
。
。
。
再
看
有
guild
的
句
子
：
some
artists
sought
to
produce
individually
conceived
and
executed
pieces
in
workshop
situations
similar
to
those
of
medieval
guilds
。
从次句会发现这里将
medieval
guild
和
workshop
做了类别。那么
medieval guild
和
workshop
具备同样是性质。

At the same time, the Art Nouveau style was inspiring artists and
artisans
all
over
Europe,
across
the
Atlantic
and
back
again.
Its
flowing
lines
and
graceful
forms,
drawing
nature
in
its
perfection
and
portraying
idealized
images,
pervaded
all
areas
of
design,
from
fabrics
and
furniture
to cutlery, as well as painting and sculpture. Born out of a direct
opposition
to
unbridled
mass
production,
Art
Nouveau
was
intended
to
bring
aesthetic
values
within
the
reach
of
the
public
and
into
functional
areas.
Perhaps
it
was
in
jewelry
that
Art
Nouveau
reached
its
pinnacle.
Here
the
style
represented
a
reaction
against
the
imitation
of
styles
from
earlier
periods and the emphasis given to precious stones. The material used in
jewelry was prized for its decorative and symbolic effects, not for its
intrinsic value. Rejecting the cluttered overornamentation of the past,
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artists influenced by Art Nouveau sought to draw popular interest away
from
machine- made
products
by
incorporating
more
delicate
and
fluid
natural forms
—
peacock feathers, flower stalks, vine tendrils, even
insect wings.
与此同时，
新艺术风格正在激烈整个欧洲的手工制造者和艺术家恢复过去的
样子。完美的流线， 优雅的格调，画出物质本来美的一面侵袭这这个设计风尚。
这个风尚蔓延着从布料，到家具，到画幅，到 雕塑。

新艺术的产生是由于大规模生存的驱使，
新艺术想将新的美学感注入一定领< br>域。
可能是在珠宝领域，
让新艺术到底了顶峰。
在这个领域的风格代表了反感模
仿的反应。

3.
The
author
indicates
that
the
designs
of
Art
Nouveau
objects
were
inspired by
细节题

(A) natural images
(B) mythical figures
(C) abstract ideas
(D) functional objects
(E) elaborate devices
分析：第三段最后一句话
draw
popular
interest
away
from
machine-made
products
by
incorporating
more
delicate
and
fluid
natural
forms
—
peacock
feathers, flower stalks, vine tendrils, even insect wings.
表达是重自然
现象中吸取创造灵感。

4. (
most highly prized for Art Nouveau jewelry were those that
细节题

(A) were the most convenient to obtain
(B) were both fashionable and precious
(C) had been treasured over the centuries
(D) could be mass-produced economically
(E) were beautiful and meaningful
分析：
有定位句子字面意思可理解
prized
for
its
decorative
and
symbolic
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effects
是为美感。

The
ideals
of
the
Arts
and
Crafts
movement
were
in
complete
sympathy
with the concepts of Art Nouveau, and artists and artisans implemented
them
in
practical
ways
by
forming
small
groups,
guilds,
and
workshops
in
Britain, Germany, and
Austria.
Yet in
spite of all efforts, the
Arts and
Crafts movement could not survive its lack of wide commercial appeal.
Because
the
movement
relied
on
an
unaggressive
and

approach to business, it never caught on with the people for whom its
products
were
intended.
Still,
the
movement
produced
far-reaching
repercussions
long
after
its
untimely
death.
Its
international
associations,
its
ideals
of
artists'
involvement
with
the
crafts,
of
the
integrity
of
artists
and
artisans,
and
of
social
awareness
were
to
inspire
entire generations to come.
艺术和手工运动和新艺术风的理 念是一致的，
艺术家们切实的贯彻这样的风
尚。但是尽管他们很努力，这个运动和还是确定经济 诱惑而以失败告终。

因为这个运动依靠于非激进非商业化的首段进军商业，
他从来没 有被他们的
消费者所吸引。但是，在这个运动完结后，它还是造成了深远的影响。它的国际
化联 盟，它的理念深入了手工业，艺术家，手工制作者，社会的意识，这种理念
激励这全新一代的来临。
5.
The
passage
implies
that
what
the
Arts
and
Crafts
movement
and
Art
Nouveau had in common was their
推理题

(A) purpose of instructing people how to craft their own jewelry
(B) purpose of producing alternatives to mass- produced goods
(C) desire to attract patrons who would fund their projects
(D) plan to produce accessories to match people's wardrobes
(E) hope of producing jewelry that replicated classical designs
分析：
全文来看，
两种形式是理念想切合的艺 术观，
同时也是为了出台一种
去当下（大规模的生产）不同的产品理念。

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以上就是
SAT
阅读真题及答案解析。
同学们可以学习上面的解题方法，在做
题时合理使用，希望这篇文章对大家有帮助。

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