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Ancient Egyptian Sculpture
In order to understand ancient Egyptian art, it is vital to know as much as
possible of the elite Egyptians' view of the world and the functions and
contexts of the art produced for them. Without this knowledge we can appreciate
only the formal content of Egyptian art, and we will fail to understand why it
was produced or the concepts that shaped it and caused it to adopt its
distinctive forms. In fact, a lack of understanding concerning the purposes of
Egyptian art has often led it to be compared unfavorably with the art of other
cultures: Why did the Egyptians not develop sculpture in which the body turned
and twisted through space like classical Greek statuary? Why do the artists seem
to get left and right confused? And why did they not discover the geometric
perspective as European artists did in the Renaissance? The answer to such
questions has nothing to do with a lack of skill or imagination on the part of
Egyptian artists and everything to do with the purposes for which they were
producing their art.
The majority of three- dimensional representations, whether standing,
seated, or kneeling, exhibit what is called frontality: they face straight
ahead, neither twisting nor turning. When such statues are viewed in isolation,
out of their original context and without knowledge of their function, it is
easy to criticize them for their rigid attitudes that remained unchanged for
three thousand years. Frontality is, however, directly related to the functions
of Egyptian statuary and the contexts in which the statues were set up. Statues
有难同当-keepcalm
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有难同当-keepcalm
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