检察官公主莫言诺贝尔文学奖颁奖词

2021年1月21日发(作者：柯一鹗)
莫言诺贝尔文学奖颁奖词


诺贝尔奖颁奖典礼上，文学委员会主席 帕瓦斯特伯格介绍
了莫言的作品，阐述了授予他诺贝尔文学奖的原因。瓦斯特伯格
的颁奖辞全文 如下：

Mo
Yan
is
a
poet
who
tears
down
stereotypical
propaganda
posters, elevating the individual from an anonymous human
mass.
Using
ridicule
and
sarcasm
Mo
Yan
attacks
history
and
its falsifications as well as deprivation and political
hypocrisy. Playfully and with ill- disguised delight, he
reveals the murkiest aspects of human existence, almost
inadvertently finding images of strong symbolic weight.

莫言是一个撕下程序化宣传海报，将凡夫俗子 一个个推上台
面的诗人。他以冷嘲热讽的笔致抨击历史及其作伪，以及剥夺的
行为和政治伪装。 他戏谑地揭示了人生境遇中最阴暗的方面，漫
不经心地摸索出极富象征力的形象。

North-
eastern
Gaomi
county
embodies
China’s
folk
tales
and
history.
Few
real
journeys
can
surpass
these
to
a
realm
where
the
clamour
of
donkeys
and
pigs
drowns
out
the
voices
of the people’s commissars and where both love and evil
assume supernatural proportions.

高密县东北乡体现了中国 的民间故事和历史，不通过此类故
事，你几乎很难脚踏实地地进入一个驴吼猪叫淹没了党政领声音
的国度，在那里，爱和恶的呈现已达到超自然的程度。


Mo Yan’s imagination soars across the entire human
existence. He is a wonderful portrayer of nature; he knows
virtually all there is to know about hunger, and the
brutality of China’s 20th century has probably never been
described so nakedly, with heroes, lovers, torturers,
bandits
–

and
especially,
strong,
indomitable
mothers.
He
shows
us
a
world
without
truth,
common
sense
or
compassion,
a world where people are reckless, helpless and absurd.

莫言的想象飞掠整个的人生境遇。他是描绘自然的能手；有
关饥饿的方方面面，他几乎全都熟知 。中国在
20
世纪中的暴虐
无道，也许还从未如此直白地被他描写在他那些英雄、恋人 、施
虐者、强盗，特别是坚强无畏的母亲的故事之中。他向我们呈现
了一个没有真理，缺乏常识 或同情心的世界，其中的人群都显得
鲁莽、无助而荒诞。

Proof of this misery is the cannibalism that recurs in
China’s h
istory. In Mo Yan, it stands for unrestrained
consumption, excess, rubbish, carnal pleasures and the
indescribable
desires
that
only
he
can
attempt
to
elucidate
beyond all tabooed limitations.

中国历代反复出现的人相食现象就是 这一悲惨世界的证据。
在莫言的笔下，它还呈现为毫无节制的消费，大肆铺张，胡说八
道，食色 之乐，以及种种难以言说的欲望，唯独莫言能够冲破所
有的禁忌限制，试图将那一切阐述出来。

In his novel Republic of Wine, the most exquisite of
delicacies is a roasted three- year-old. Boys have become
exclusive foodstuff. The girls, neglected, survive. The
irony is directed at China’s family policy
, because of
which female foetuses are aborted on an astronomic scale:
girls aren’t even good enough to eat. Mo Yan has written
an entire novel, Frog, about this.
在他的小说《酒国》中，最精致的美味是三岁孩童肉烧烤。
男童肉成为高级食品，而女童，则因被鄙 弃不顾而得以幸存。这
一反讽直刺了中国的独生子女政策，正是这一政策导致女胎被大
量堕掉， 堕掉的女胎多不胜数，以致多到了不配食用的地步。
《蛙》这部小说从头到尾所写的就是这样的事情。< br>

Mo Yan’s stories have mythical and allegorical
pretensions
and
turn
all
values
on
their
heads.
We
never
meet
that
ideal
citizen
who
was
a
standard
feature
in
Mao’s
China.
Mo
Yan’s
characters
bubble
with
vita
lity
and
take
even
the
most amoral steps and measures to fulfill their lives and
burst the cages they have been confined in by fate and
politics.

莫言的故事富有神话和讽喻的旨趣，所有的价值在这些故事