bridget国王的演讲观后感英语作文 the king's speech

2021年1月23日发(作者：dick什么意思)

国王的演讲【一】

By mikey

QQ:805191181

The King's Speech is one of my favourite films because
it is both funny and sensitive. It is not a film just about
royalty. This film is more a human story played by excellent
actors at the peak of their craft. In the opening scene we can
see how it will
be difficult for
GeorgeVI, the new
king,
after
EdwardVIII abdicated and renounced the throne.
Is it possible to take on the responsibility of royal
duties with a speech impediment ? The new king has proved it
with
courage
and,
above
all,
with
a
great
wife
and
an
excellent
therapist.
The
film
shows
his
effort,
his
courage.
There
is
no
special effect, no action but it is exciting. When you watch
the film, you are in London with the king telling:
it
Moreover,
the
film
is
a
visual
experience
with
foggy
streets. I do not know a lot of this period of British history
but
I
think
it
is
faithful
to
reality.
Finally,
I
intend
to
watch
it again as I loved it.
This is a biopic about how King George VI, the father
of
Queen
Elizabeth
II,
overcame
his
stuttering
problem.
Widely
considered by all but his father unfit to be king, George is
reluctantly
thrust
unto
the
throne
and
into
the
spotlight
after
his brother is forced to abdicate. Overshadowed on the global
stage
by
powerful
orators
like
Adolph
Hitler
and
Benito
Mussolini,
the
King
relies
on
the
help
of
a
little-known
Australian speech therapist named Lionel Logue to find his
voice
and
courageously
lead
his
people
into
the
most
devastating war humanity has ever faced.
This is a powerful, hilarious and deeply moving story,
told against the backdrop of a critical juncture in modern
history,
of
the
emergence
of
a
deep
friendship
out
of
a
professional relationship
between
two
men
who
would
otherwise
never have socially interacted. The screenplay, written by
David Seidler (who also wrote Tucker: The Man and his Dream),
is
excellent.
The
dry
British
wit
is
hilarious.
I
was
literally
slapping
my
knee
during
some
of
the
scenes.
Tom
Hooper
(Elizabeth
I)
does
a
superb
job
directing
this
movie.
The
buildup to the climactic finale is skillfully executed and
prompted
the
audience
to
erupt
into
spontaneous
ap
(Apparently,
this
also
happened
at
the
Roy
Thomson
Hall
premiere.)
Geoffrey
Rush
(Elizabeth:
The
Golden
Age)
does
a
fantastic
job
as
Lionel
Logue
and
Colin
Firth
(A
Single
Man)
is
excellent
as
King
George
VI.
I saw the second public screening of this movie at the
Ryerson
Theater
during
the
Toronto
International
Film
Festival
(TIFF). Tom Hooper was present to introduce the movie. He was
joined by Colin Firth and Geoffrey Rush after the movie ended
for a brief Q&A.
It turns out that David Seidler also had a stuttering
problem
as
a
child
and
drew
inspiration
from
the
king's
struggle.
Early in his career he wanted to write a screenplay about it.
He
dutifully
asked
the
Queen
Mother
for
permission.
She
agreed
but
told
him

in
my
lifetime
Little
did
he
know
she
would
live to be 101 and he would have to wait another 30 years.
Another
interesting
tidbit
we
learned
was
that
near
the
end
of
the
shoot,
the
crew
finally
located
one
of
Lionel
Logue's
grandsons, who just so happened to live about 10 minutes away
from the director. They got access to Lionel's diaries and
correspondence and managed to incorporate some of it into the
script.
This movie is an unqualified must review may
contain

makes
the
movie
fascinating
is
that
it's
based on a true story, and from what I heard, it's based on a
play,
and
its
biggest
achievement
is
that
it
never
feels
stagey,
that it's entertaining, that it's got some sublime acting,
mostly
Firth
and
Bonham-Carter,
though
Rush
is
very
good,
too.
In general, it's a nice film. The one thing that hurts it a
little
is
the
setting,
the
fact
that
had
it
been
based
on
lesser
humans, it might have had a stronger impact. Seeing the royal
nature of things, after being exposed to so much of this type
of
drama
in
the
last
three
or
four
decades,
feels
a
bit
boring.
I
couldn't
help
but
noticing
how
hard
the
cinematographer
tried
to
make
it
look
different,
and
for
a
while
I
thought
I
had
kept
my shades on because the film look so dark.
Now, looking at what works, as I mentioned before Firth
is spectacular, giving a very natural and human spin to what
could have a tired turn. We have seen how hard actors tried to
show
their
technical
skills,
and
it's
Firth's
gift
that
he
can
make a stutter emotional and frustrating, that we see how his
soul hurts, and his spirit breaks over and over, as he tries
to overcome his disability. He knows where he belongs, the
pressures he is under, and he hates the spotlight, and all of
this is perfectly reflected in his performance. Coming in to
give
it
an
interesting
balance
is
the
subtle
and
affecting
work
by
Bonham-Carter,
showing
an
amazing
range
and
getting
further
from the loud histrionics of both
two great
turns, but
it's her
sweet
support,
both in the
film,
and in her acting that is rewarding. She is perfectly attuned
to her part and is a great partner to Firth. Both of them do
act like full human beings who just happen to be royalty. She
had plenty of practice before getting here. Firth is perfect
in this type of role.
Coming
so
soon
after

Single
Man
we're
not
truly
surprised Firth could
do any better. In fact, it's
just a
different type of role, and he handles it with so much aplomb
that
it
feels
natural,
noticeable
without
being
too
much,
interesting,
one
piece
of
acting
that
will
eventually
be
mentioned among the best of someone's career, or of anything
in the movies. In this case, it doesn't matter what the man is
wearing, his soul and his pain are real, and his desire to
overcome
his
obstacles
and
please
those
around
him,
most
importantly his closest family and friends is what fuels the
intensity of the performance. Every syllable, every gesture,
every
look,
and
every
exchange
between
him
and
the
other
actors
has a
purpose and
never
loses
its
direction
and
focus. That
is
what makes the conclusion so satisfying and appeals to us.
This film doesn't forget the human connection with its
audience.
A
few
years
ago

Queen
explored
the
inner