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Blue and white porcelain
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Blue and white
(disambiguation)
.
Blue and white
porcelain-ware with a depiction of a
Chinese dragon
from
the late
Ming
Dynasty
Blue
and
white
wares
p>
(
Chinese
:
青花
;
pinyin
:
qīng
-
huā
;
literally
flowers
designate
white
pottery
and
porcelain
decorated
under
the
glaze
with a
blue
pigment
, generally
cobalt oxide
. The decoration
is commonly
applied by hand, by
stencilling
or by
transfer-printing
, though
other
methods of application have also
been used.
Contents
[
hide
]
?
1 Origin and
development
o
1.1 Tang and Song blue-and-
white
o
1.2 14th century development
o
1.3 Evolution
of blue and white ware
?
1.3.1 14th
century
?
1.3.2 15th century
?
1.3.3 16th
century
?
1.3.4 17th century
?
1.3.5 18th
century
?
?
?
?
?
2 Influences
o
2.1 Influences
on Islamic pottery
o
2.2 Influences
on European porcelains
?
2.2.1 Early
influences
?
2.2.2 Direct Chinese
imitations
?
2.2.3 Patterns
3
See also
4 Notes
5 References
6
External links
[
edit
] Origin and
development
Islamic
tin-
glazed
earthenware
,
with
blue
and
white
decoration,
Iraq
,
9th
[1]
century.
The Arabic
calligraphy
is
ghibta
, i.e.
The technique of
cobalt
blue
decorations seems to have come
from the
Middle-East in the 9th century
through decorative experimentation on
white ware.
[2]
Cobalt blue pigments were excavated from local
mines in
central
Iran
from
the
9th
century,
and
then
were
exported
as
a
raw
material
[3]
to China.
The
blue-and-white
technique
was
fully
developed
in
China
with
porcelain
technology in the
14th century.
[4][2]
On some
occasions, Chinese blue and
white wares
also incorporated Islamic designs, as in the case
of some
Mamluk brass works which were
converted into blue and white Chinese
porcelain
designs.
[3]
[
edit
] Tang and
Song blue-and-white
Early
Chinese
blue
and
white
porcelain,
manufactured
circa
1335,
that
is
about the Yuan dynasty
period
Jingdezhen
.
The
first
Chinese
blue
and
white
wares
were
as
early
as
the
ninth
century
in
Henan
province
,
China
;
although
only
shards
have
been
discovered.
Tang
period
blue-
and-white is even rarer than
Song
blue-and-white and was
unknown before
1985.
[5]
The Tang pieces are
not porcelain however, but
rather
earthenwares
with
greenish
white
slip,
using
cobalt
blue
pigments
which probably
originated in the Middle-
East.
[5]
The only three
pieces of
complete
blue
and
white
in
the
world
were
recovered
from
Indonesian
[6]
Belitung
shipwreck in 1998 and later sold to
Singapore
.
[
edit
] 14th
century development
In
the
early
14th
century
mass-production
of
fine,
translucent,
blue
and
white porcelain started
at
Jingdezhen
, sometimes
called the
porcelain
capital
of
China.
This
development
was
due
to
the
combination
of
Chinese
techniques and
Islamic
trade.
[7]
The new ware was
made possible by the
export
of
cobalt
from
Persia
(called
Huihui
qing
,
回回青
,
b
lue
[7]
combined
with
the
translucent
white
quality
of
Chinese
porcelain.
Cobalt
blue
was
considered
as
a
precious
commodity,
with
a
value
about
twice
that
[7]
[7]
of
gold.
Motifs
also
draw
inspiration
from
Islamic
decorations.
A
large
portion
of
these
blue-and-white
wares
was
then
shipped
to
Southwest-Asian
[7]
markets through the
Muslim
traders based in
Guangzhou
.
Chinese
blue
and
white
porcelain
was
once-fired
:
after
the
porcelain
body
was dried, decorated with refined
cobalt-blue pigment mixed with water
and applied using a brush, coated with
a clear glaze and fired at high
temperature.
From
the
16th
century,
local
sources
of
cobalt
blue
started
to be developed,
although Persian cobalt remained the most
expensive.
[7]
Production of blue and white wares has
continued at
Jingdezhen
to
this
day. Blue and white porcelain made
at Jingdezhen probably reached the
height
of
its
technical
excellence
during
the
reign
of
the
Kangxi
emperor
of the
Qing
Dynasty
(reigned 1661 to 1722).
[
edit
] Evolution
of blue and white ware
[
edit
] 14th
century
Further information:
Jingdezhen ware
The
true
development
of
blue
and
white
ware
in
China
started
with
the
first
half
of
the
14th
century,
when
it
progressively
replaced
the
century-long
tradition of bluish-white ware, or
Qingbai
. The main production
center
was in
Jingdezhen
,
Jiangxi Province
.
?
Early
blue
and
white
ware,
first
half
of
14th
century,
Jingdezhen
.
?
Blue and white vase (1271-1368),
Jingdezhen, unearthed in
Jiangxi
Province
.
?
Blue and white plate,
Jingdezhen
, (1271-1368).
?
Blue and white jar,
Jingdezhen
, (1271-1368).
[
edit
] 15th
century
With
the
advent
of
the
Ming
Dynasty
in
1368,
blue
and
white
ware
was
shunned
for
a
time
by
the
Court,
especially
under
the
Hongwu
and
Yongle
Emperors,
as being too
foreign in inspiration.
[7]
Blue and white porcelain however
came
back
to
prominence
with
the
Xuande
Emperor,
and
again
developed
from
that time
on.
[7]
?
Blue and white bowl,
Jingdezhen
,
Ming
Yongle
(1403-1424).
?
Blue and white jar, Jingdezhen, Ming
Yongle
(1403-1424).
?
Blue and white vase, Jingdezhen, Ming
Yongle
(1403-1424).
?
Blue and white, Ming
Xuande
(1426-1435).
[
edit
] 16th
century
Some
blue
and
white
wares
of
the
16th
century
were
characterized
by
Islamic
influences,
such
as
the
ware
under
the
Zhengde
Emperor
(1506
–
1521),
which
[8]
sometimes bore
Persian
and
Arabic
script.
?
Blue and white jar with
Persian
characters, Ming
Zhengde
(1506-1521).
?
Blue
and
white
porcelain
box,
with
Arabic
and
Persian
inscriptions,
Zhengde
(1506-1521).
?
Blue and white vase, Ming
Wanli
(1573-1620).
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